yves saint laurent 1966 collection | yves Saint Laurent apparel yves saint laurent 1966 collection In 1965, Yves Saint Laurent introduced art into fashion with his Mondrian series. He continued paying tribute to art in his Autumn-Winter 1966 collection by looking to the Pop Art movement across the Atlantic. 8 Comments. 3 household names.3 US companies who failed in an overseas market for reasons that mostly could have been avoided with some research. So what are the mistakes that Walmart made in Germany, Starbucks in Israel and AirBnB in China? What can we learn from them?
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In 1965, Yves Saint Laurent introduced art into fashion with his Mondrian series. He continued paying tribute to art in his Autumn-Winter 1966 collection by looking to the Pop Art movement across the Atlantic.In 1966, Yves Saint Laurent made the female chest visible with his first sheer look, which he subtly covered with see-through cigaline. The nude look was born. In 1968, Saint Laurent designed the most emblematic example of this: a .
In 1965, Yves Saint Laurent introduced art into fashion with his Mondrian series. He continued paying tribute to art in his Autumn-Winter 1966 collection by looking to the Pop Art movement across the Atlantic.In 1966, Yves Saint Laurent made the female chest visible with his first sheer look, which he subtly covered with see-through cigaline. The nude look was born. In 1968, Saint Laurent designed the most emblematic example of this: a completely transparent chiffon dress with a belt made of ostrich feathers.Mondrian dresses by Yves St Laurent (1966) The Mondrian Collection was designed by French fashion designer Yves Saint Laurent (1936–2008) in 1965. [1] This collection was a homage to the work of several modernistic artists. [1]
In his Autumn-Winter 1966 collection, Yves Saint Laurent introduced his most iconic piece: the tuxedo. This garment, which was meant to be worn in a smoking room to protect one’s clothing from the smell of cigars, was originally reserved only for men. Yves Saint Laurent and his models at the presentation of Saint Laurent’s autumn-winter 1960 collection at the House of Dior. Photograph: TopFoto. The connection between fashion and art has only strengthened over time as more museums around the world curate and present costume exhibitions.
Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, in spite of the fact that it contained only six dresses that resembled the Dutch painter’s work.
Designer Yves Saint Laurent French, born Algeria. fall/winter 1965–66. Not on view. As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks. Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of . Homage to Tom Wesselmann. Autumn-Winter 1966 haute couture collection. Straight dress of purple wool jersey, pink wool jersey applique. © Fondation Pierre Bergé–Yves Saint Laurent, Paris.Date: fall/winter 1966–67. Culture: French. Medium: wool. Credit Line: Gift of Kimberly Knitwear Inc., 1974. Accession Number: 1974.137.9a, b. The Costume Institute at The Met.
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In 1965, Yves Saint Laurent introduced art into fashion with his Mondrian series. He continued paying tribute to art in his Autumn-Winter 1966 collection by looking to the Pop Art movement across the Atlantic.In 1966, Yves Saint Laurent made the female chest visible with his first sheer look, which he subtly covered with see-through cigaline. The nude look was born. In 1968, Saint Laurent designed the most emblematic example of this: a completely transparent chiffon dress with a belt made of ostrich feathers.Mondrian dresses by Yves St Laurent (1966) The Mondrian Collection was designed by French fashion designer Yves Saint Laurent (1936–2008) in 1965. [1] This collection was a homage to the work of several modernistic artists. [1]In his Autumn-Winter 1966 collection, Yves Saint Laurent introduced his most iconic piece: the tuxedo. This garment, which was meant to be worn in a smoking room to protect one’s clothing from the smell of cigars, was originally reserved only for men.
Yves Saint Laurent and his models at the presentation of Saint Laurent’s autumn-winter 1960 collection at the House of Dior. Photograph: TopFoto. The connection between fashion and art has only strengthened over time as more museums around the world curate and present costume exhibitions.
Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, in spite of the fact that it contained only six dresses that resembled the Dutch painter’s work.Designer Yves Saint Laurent French, born Algeria. fall/winter 1965–66. Not on view. As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks. Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of . Homage to Tom Wesselmann. Autumn-Winter 1966 haute couture collection. Straight dress of purple wool jersey, pink wool jersey applique. © Fondation Pierre Bergé–Yves Saint Laurent, Paris.
Date: fall/winter 1966–67. Culture: French. Medium: wool. Credit Line: Gift of Kimberly Knitwear Inc., 1974. Accession Number: 1974.137.9a, b. The Costume Institute at The Met.
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